Category: Uncategorized

  • Program at G18 | April 2025

    Program at G18 | April 2025

    1. 4. | 17:00 Board Games Night 🇬🇧
    How else to spend an April Fools day than on well-thought-out strategies? We have prepared another gaming Tuesday for you in the G18 gallery with Q Prostor! We’ll provide a selection of board games, but we’d love you to bring your favourites to show us. If you don’t know all the game rules, don’t worry, we’ll teach you everything. We do not charge an admission fee for the event.

    13. 3. – 17. 4. 2025 Výstava Kruhy na vodě 🇬🇧
    The exhibition Rings on Water presents the work of 83 artists from the international design competition of the same name inspired by traditional craftsmanship. Organised since 2000, the competition combines history with innovation and shows how craft can enrich contemporary design. Visitors have the opportunity to see the work of professional designers, craftsmen and students who have worked with natural and alternative materials with an emphasis on aesthetics, functionality and ecology.

    22. 4. – 27. 4. Fashion Revolution Week 🇬🇧
    For the third time, G18 Gallery has prepared a week-long programme as part of the global Fashion Revolution Week campaign. The programme will traditionally start with the opening of an exhibition by students of the Fashion Design Studio on Tuesday 22 April at 6 pm. Educational programmes for schools and the public will then take place throughout the week. A detailed programme will soon be published on our website and social media.

     

  • INVITATION | Rings in Water exhibition opening

    INVITATION | Rings in Water exhibition opening

    The G18 Gallery of the Faculty of Multimedia Communications invites you to the opening of the exhibition Rings in Water, which will take place on Wednesday 12 March 2025 at 6 pm. The exhibition will be introduced by curator Mária Hriešik Nepšinská.

    The exhibition Rings in Water 2024 presents the awarded and selected works of the current edition of the competition of the same name, which involved 238 designers, craftsmen and students from Slovakia, the Czech Republic, Hungary, Austria, Poland, Ukraine, Germany, Ireland and Norway. The aim of the project is to promote innovative approaches to craft production and to show how traditional techniques can be applied in contemporary design. You can visit it from 13 March to 17 April 2025.

  • Program at G18 | March 2025

    Program at G18 | March 2025

    4. 3. | 5 PM Board Games Night 🇬🇧
    Prepare strategies and rehearse bluffing. We have prepared another gaming Tuesday for you in the G18 gallery with Q Prostor! We’ll provide a selection of board games, but we’d love you to bring your favorites to show us. If you don’t know all the game rules, don’t worry, we’ll teach you everything. There’s a free entrance, and we are English friendly.

    12. 3. | 6 PM Exhibition opening Rings in Water
    13. 3. – 17. 4. 2025 Exhibition Rings in Water 🇬🇧
    The exhibition Rings in Water will present the work of 83 authors from the international design competition inspired by traditional crafts. The competition, organized since 2000, connects history with innovation and shows how crafts can enrich contemporary design. Visitors will see the works of professional designers, craftsmen and students who have processed natural and alternative materials with an emphasis on aesthetics, functionality and ecology.



  • Program at G18 | February 2025

    Program at G18 | February 2025

    12. 12. 2024–27. 2. 2025 Exhibition mAI type (🇨🇿/🇬🇧)
    The exhibition mAI type presents the output of students from Graphic Design Studio of the Faculty of Multimedia Communications (TBU Zlín). Under the expert guidance of Lenka Baroňová and Jakub Hrdina, they have explored new possibilities of working with type, in which traditional manual techniques are intertwined with digital tools and strong generative artificial intelligence. In addition, the students’ work is complemented by works by contemporary AI artists from different parts of the world. The exhibition can be visited during opening hours Monday to Thursday 1-6pm.

    4. 2. | 5pm Board games night (🇨🇿/🇬🇧)
    After the Christmas break we are back with our popular Game Tuesday! Once again we’ll have a selection of board games for you, but we’d still love you to bring us your favourites to show us. Don’t worry about not knowing any rules, we’ll teach you everything. The event is organized together with Q Prostor Zlín and the entrance is free.

     
    8. 2. | 9.00–14.00 Open Days (🇨🇿/🇬🇧)
    On Saturday, February 8, our faculty is organizing an open day for all potential applicants to study at TBU. That is why we are exceptionally opening the gallery also on Saturday, for the whole duration of the open day (9 am–2 pm).
     
    19. 2. | 5pm Guided tour of the mAI type exhibition (🇨🇿)
    Helena Maňasová Hradská, the curator of the exhibition, will guide you through the exhibition of student works and the world of generative artificial intelligence. Admission is free for everyone.
  • Exhibition plan 2025

    Exhibition plan 2025

    mAI type

    Author of the exhibition and pedagogical guidance: M.A. Lenka Baroňová
    Curator: Mgr. Helena Maňasová Hradská, Ph.D.
    Expert cooperation and pedagogical guidance of students in working with generative AI tools: MgA. Jakub Hrdina, Ph.D.
    Architecture: sstudents of Spatial Design Studio FMC TBU Zlin
    Date: 11. 12. 2024 – 27. 2. 2025

    The exhibition presents the output of a pedagogical experiment that focused on the process and means of designing in a situation of rapidly evolving tools of generative artificial intelligence (AI). The aim was not to confront the abilities of the human hand and imagination with the results produced by AI as a contest in search of a winner, but to present the breadth of the spectrum with which the contemporary graphic designer can work, ranging from the minimal assistance of digital tools (based on image work) to the maximum, which is currently the so-called powerful AI instructed verbally, by prompts. At every moment of this process of “mechanization” there is always a need for human, creative intervention and intention. The exhibition attempts to present these moments through examples of assignments typical in the field of typography. We have deliberately chosen the assignments to include aspects considered to be typical of human creative behaviour: visual puns, metaphors, the use of optical illusion, the pursuit of self-expression.

    The emphasis on the procedural level of the discussion of the graphic designer’s work and so-called AI is underlined by both the interactive elements of the exhibition and the planned workshops on calligraphy and AI tools in the accompanying programme for the public, primary and secondary schools.

    Kruhy na vodě

    Curator: Mgr. et Mgr. art. Mária Hriešik Nepšinská, PhD.
    Date: 12. 3. 2025 – 17. 4. 2025

    The international craft-oriented design competition Kruhy na vodě (Circles on Water) is a platform for confronting new works seeking inspiration in traditional crafts, which has been organised by the The Centre for Folk Art Production at regular two-year intervals since 2000. The mission of the competition is to develop a dialogue about traditional values, their preservation and innovation in contemporary crafts, applied arts and design. The aim is to highlight the need for the transformation of craft, possible intersections into design and to initiate collaborations between craftspeople and professional designers. The The Centre for Folk Art Production is based on the conviction that craft-oriented design, highlighting the culture of handmade utilitarian and decorative objects, is a driving force for innovation also in the field of traditional craftsmanship.

    Professional designers and university students who take into account craft approaches in the realisation of contemporary design, or who use tradition in a broader sense as inspiration for experimental design, have entered their works in a separate section A in the open call of the current 12th edition of the competition. In the next section B, artisans and traditional producers of artisanal products with regard to the possibilities of serial reproducibility are presented, emphasising the functional, aesthetic and ecological aspects of the products in their work. It is also important for The Centre for Folk Art Production to support designers at the stage of their professional formation in art-oriented secondary schools, which is why the competition provides them with a space in a separate section C, where they submit works inspired by the practices or patterns of traditional craftsmanship, made from natural and, to a lesser extent, alternative materials.

    Among 234 submitted works, the international jury selected 83 artists whose works will be presented at the competition show Circles on Water 2024, which will be held in 2025 in the G18 Gallery in Zlín.



    BEST IN DESIGN: BEST OF ’25

    Curators: curatorial team of students
    Guarantor: Mgr. Vít Jakubíček, Ph.D.
    Date: 08. 5. 2025 – 23. 5. 2025
    Artists: young designers under 30 years of age; participants in the international competition Best in Design in the categories Communication Design (graphic design, illustration, new media, visual communication and intermedia, etc.), Fashion Design (apparel design, textile design, footwear and accessories design, jewellery design, etc.), Product and Industrial Design (products, interior and furniture design, tool and equipment design, etc.) and Service Design (complex designs for processes, technologies and interactions that drive service delivery). Finalists are selected by an expert jury in February 2025.

    Design has the ability to change reality and influence the quality of our lives. Increasingly, the quality of individual design processes matters, opening up new discussions about the direction of design. How to face the current challenges? How to harness the potential of innovation and creativity for a better world? Engaging different voices and perspectives can reshape established norms, promote inclusivity and bring new perspectives on design in today’s dynamic world.

    The Best of ’25 exhibition at the G18 gallery will present the works of the finalists of the 16th edition of the international Best in Design competition. From 8 to 23 May 2025, the gallery will be a place to reflect on the direction of the work of young designers. The exhibition is part of the Zlin Design Week 2025 festival.

    The Best in Design ’25 exhibition will include an expanded experimental testing of inclusive measures for people with learning disabilities as part of the TAČR Sigma project, called Museums without Barriers, in which G18 Gallery is a partner. Among others, the research will involve the collaboration of Slovak graphic designer Martin Pyšný, who has developed his own font designed for people with learning disabilities, and Ladislava Zbiejczuk Suchá, PhD from the Department of Information Studies and Librarianship at Masaryk University.



    Diplomky 25

    Curator: Helena Maňasová Hradská
    Date: 25. 6. 2025 – 17. 7. 2025

    The exhibition of the final works of students from 14 studios from the Faculty of Multimedia Communications at the Tomas Bata University in Zlin has become a traditional event in the G18 gallery. In 2025, it will take place for the eighth time and will once again present the best and most up-to-date work produced at the faculty. The final works produced in various studios focused on art, design, photography and audiovisual arts are among the most important outputs of the faculty. The Diplomky 25 (Theses 25) exhibition is a key event not only for the academic community of the FMC, but also for the wider Zlin art community, which works closely with the faculty. Visitors can look forward to a diverse range of themes and approaches, from traditional to modern media, commercial projects and free works.



    HOMO FABER

    Curator: Mgr. Vít Jakubíček, Ph.D.
    Author: doc. MgA. Jan Jindra
    Date: 24. 9. 2025 – 27. 11. 2025

    In the file (HOMO FABER), photographer Jan Jindra returns to the same place as 40 years ago when he studied at FAMU in Prague. He continues the original project Cottagers (1985), which was created as part of an exercise in photographic publication course under the guidance of teacher Pavel Štecha. Its aim at that time was to capture the depopulation of Prague on Fridays. He captured how Prague residents left the city on Fridays in convoys of cars heading for cottages and chalets. He photographed loaded cars, portraits of crews and often equipment on roof racks or on trolleys during daylight hours on Fridays. Then on Sunday night, using a flash, he would capture their returns. It was an observation of a kind of rhythmic escape from normalized space. The photographer’s conceptual approach consisted primarily in a fixed location (the penultimate intersection with lights before the exit road from Prague) and the angle of the photograph.

    At the moment, photographer Jan Jindra finds a considerably shifted aesthetic at the same place and time (Friday around 3 pm). He actively engages colour as an expressive means of the photographic image. Perhaps the specific day and time are not so decisive in his photographs today, but both sets of photographs resonate with a confrontational aesthetic. Cars in the current project are more than before the status of the successful person. We all live fully in a consumer society and cars are the illusory “shield” of the personality of today. Contemporary advertising signs on company cars evoke the restless and chimerical pulse of our times. Some cars today are actually moving billboards. The exhibition captures the confrontations of these two worlds, and the individual shots and situations in the cars again present unexpected constellations seen from one place.



    Nowa sytuacja – Nová situace

    Curators: Michał Pietrzak, Tomasz Dobiszewski, Marek Grzyb
    Date: 10. 12. 2025 – 25. 2. 2026

    The New Situation exhibition is a reflection of changing reality, and conditions. It is a time of change that is coming with full force and no one can escape it. The climate, social and political relations are changing. There are new challenges that need to be defined for oneself and for others. Their rejection, ignorance and apparent indifference to them also creates a new situation, whether we want it or not. Sooner or later, each of us will be faced with a new reality and must accept, embrace or reject it – either way, respond in some way. It is these reactions that are the subject of the exhibition New Situation, prepared by teachers and students of the Department of Akademii Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu.

     

     

  • OPENING | mAI type

    OPENING | mAI type

    The exhibition entitled mAI type, focusing on generative artificial intelligence, was opened on Wednesday 11 December 2024. In addition to the curator of the exhibition, Helena Maňasová Hradská, Lenka Baroňová and Jakub Hrdina also gave an opening speech about providing expert guidance to the students in the creation process.

    The exhibition can be viewed until 27 February 2025, from Monday to Thursday, 1-6 pm.

  • mAI type database

    mAI type database

    Are you intrigued by any of the works from the mAI type exhibition and want to learn more about them? Or do you simply want to browse through all the pieces but can’t visit the gallery in person? We’ve prepared an online database featuring all the exhibited typographic posters and AI-generated artworks. Detailed information about each creation by the students of the Graphic Design studio is now conveniently available in one place here.

    We highly recommend visiting the mAI type exhibition in person, which runs until February 27, 2025. Our regular opening hours are Monday to Thursday from 1 PM to 6 PM*.

    *Special opening hours during the Christmas holidays.

  • Christmas opening hours

    Christmas opening hours

    You can visit the mAI type exhibition during normal opening hours until 19 December 2024. During the Christmas holidays, the gallery doors will remain closed, but we will be happy to welcome you again next year, from 6 January 2025 during opening hours – Monday–Thursday, 1–6 PM.

    We wish you a wonderful holiday season and look forward to seeing you again in 2025 at exhibitions, openings and a rich accompanying programme.

  • Advent time in G18 gallery

    Advent time in G18 gallery

    Workshops in the gallery are not always just for school groups or the public. Every year, for example, we hold a workshop of Advent wreaths for the employees of Tomas Bata University in Zlín. We play carols in the background, cook punch, bake strudel and the hectic pre-Christmas mood immediately slows down. For the employees, we always prepare a creative workshop in addition to the wreaths; this year, under the guidance of a student from the Creative Industries and Digital Culture programme, they could sew wallets and key chains from old advertising banners.

    Take a look at what tuning in to the Christmas spirit looked like this year. ↓

  • Digital Design Studio Diploma Defense

    Not always only public events take place in our gallery. Defenses of selected art studios of our Faculty of Multimedia Communications are also held every year before the start of the summer holidays. This year started by the Digital Design Studio, which defended works on topics such as the visual identity of the festival, immersive technology in museums and gallery exhibitions, or UX design of a dating application for the disabled. What do such defenses look like? You will be able to explore all the graduate works of the Digital Design Studio together with the works of the Product Design Studio in the G18 gallery thanks to the Theses 24 exhibition, which runs from 26. 6. to 18. 7. 2024.